- Artwork printed by EPSON Stylus Pro 7880 (Epson Ultra Chrome K3 Vivid Magenta) on canvas.
- Limited edition prints of 100.
- Each limited edition artwork will be individually printed, signed, dated and numbered by the artist Vladimir Zunuzin.
- Art Prints packaged in a plastic tube.
- © zunuzin.com watermark is only used online and does not appear on your print.
- Will usually ship within 3-5 business days.
- Free worldwide shipping with tracking.
- We send prints to all countries via Registered Airmail, they usually arrive within 35 working days to destinations within Western Europe and about 45 working days to destinations outside Europe.
- Payments by Paypal or 2Checkout.
Buy art print Girl reading a letter at an open window (Jan Vermeer Van Delft Improvisation) in my store
History of the Girl reading a letter at an open window by Jan Vermeer Van Delft
Jan Vermeer Van Delft
The picture was acquired in 1724 by August III, elector of Saxony, together with a number of other paintings bought in Paris. The seller threw in the picture as a present, to sweeten the deal. It was then attributed to Rembrandt, and the ascription was subsequently weakened to "manner" or "school of". In 1783, it was engraved as a work by Govaert Flinck. The name "Van der Meer from Delft" occurred for the first time in a catalog dating from 1806, to be changed back to Flinck in 1817. From 1826 to 1860, the appellation was altered to Pieter de Hooch. It is only since 1862 that the correct identification obtains. The only Dutch provenance that could possibly apply is the sale Pieter van der Lip, Amsterdam, 1712, no. 22, "A Woman Reading in a Room, by van der Meer of Delft fl 110". Unfortunately, the text is not specific enough to distinguish it from the one at the Rijksmuseum, Woman in Blue Reading a Letter.
The above underlines the difficulties inherent to the establishment of Vermeer's catalog. Not a single work can be traced back to the painter's studio, nor are there any letters or contracts extant. The task of attribution rests squarely upon the shoulders of the individual critic, which explains the multiplicity of divergent opinions. In this painting, a young woman stands in the center of the composition, facing in profile an open window to the left. In the foreground is a table covered with the same Oriental rug encountered in the Woman Asleep. On it is the identical Delft plate with fruit. The window reflects the girl's features, while to the right the large green curtain forms a deceptive frame. She is precisely silhouetted against a bare wall that reflects the light and envelops her in its luminosity. Via