Print information
- Artwork printed by EPSON Stylus Pro 7880 (Epson Ultra Chrome K3 Vivid Magenta) on canvas.
- Limited edition prints of 100.
- Each limited edition artwork will be individually printed, signed, dated and numbered by the artist Vladimir Zunuzin.
- Art Prints packaged in a plastic tube.
- © zunuzin.com watermark is only used online and does not appear on your print.
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- Free worldwide shipping with tracking.
- Will usually ship within 3-5 business days.
- We send prints to all countries via Registered Airmail, they usually arrive within 35 working days to destinations within Western Europe and about 45 working days to destinations outside Europe.
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Painting process in details
![The Arnolfini Marriage painting process The Arnolfini Marriage painting process](http://www.zunuzin.com/images/backstage/back6_1.jpg)
![The Arnolfini Marriage painting process The Arnolfini Marriage painting process](http://www.zunuzin.com/images/backstage/back6_2.jpg)
![The Arnolfini Marriage painting process The Arnolfini Marriage painting process](http://www.zunuzin.com/images/backstage/back6_3.jpg)
![The Arnolfini Marriage painting process The Arnolfini Marriage painting process](http://www.zunuzin.com/images/backstage/back6_4.jpg)
![The Arnolfini Marriage painting process The Arnolfini Marriage painting process](http://www.zunuzin.com/images/backstage/back6_5.jpg)
History of the Arnolfini Marriage by Jan Van Eyck
![Jan Van Eyck - The Arnolfini Marriage](images/pict/Jan-van-Eyck-The-Arnolfini-Portrait.jpg)
Jan van Eyck
"The Arnolfini Portrait", 1434
National Gallery, London
This work is a portrait of Giovanni di Nicolao Arnolfini and his wife, but is not intended as a record of their wedding. His wife is not pregnant, as is often thought, but holding up her full-skirted dress in the contemporary fashion. Arnolfini was a member of a merchant family from Lucca living in Bruges. The couple are shown in a well-appointed interior.
The ornate Latin signature translates as 'Jan van Eyck was here 1434'. The similarity to modern graffiti is not accidental. Van Eyck often inscribed his pictures in a witty way. The mirror reflects two figures in the doorway. One may be the painter himself. Arnolfini raises his right hand as he faces them, perhaps as a greeting.
Van Eyck was intensely interested in the effects of light: oil paint allowed him to depict it with great subtlety in this picture, notably on the gleaming brass chandelier. Via